Credit: Bobby Bones
Although Trisha Yearwood has never depended on controversy to stay relevant, she chose to come forward with refreshing candor when rumors that she was ill became too loud. She described how COVID-19 left behind symptoms that were far more punishing than the virus itself, speaking with remarkable clarity about her experience. Fans who had become used to her polished stage persona were shocked to hear that she occasionally ran out of things to say. For someone whose artistic ability relies on memory and lyrical accuracy, the idea of staring at a rolling pin and not being able to identify it was extremely unnerving.
Her explanation of brain fog struck a chord because it was so realistic. Hearing it from a well-known artist gave the issue more weight and urgency, even though millions of people who experienced prolonged COVID described the same unsettling haze. She acknowledged that the prospect of having early-onset Alzheimer’s disease terrified her. Yearwood joined the group of artists who have bravely shared their vulnerabilities, such as Lady Gaga with chronic pain and Selena Gomez with lupus, by embracing her fears. Their readiness to share their health issues has greatly decreased stigma and inspired followers to face their own difficulties head-on.
| Category | Details |
|---|---|
| Full Name | Patricia Lynn “Trisha” Yearwood |
| Date of Birth | September 19, 1964 |
| Age | 60 (as of 2025) |
| Nationality | American |
| Profession | Singer, Author, Television Personality |
| Genres | Country, Country Pop |
| Breakthrough Album | Trisha Yearwood (1991) |
| Major Hits | She’s in Love With the Boy, How Do I Live, XXX’s and OOO’s |
| Awards | 3 Grammy Awards, multiple CMA and ACM Awards |
| Spouse | Garth Brooks (married since 2005) |
| Recent Album | The Mirror (2025) |
| Health Struggles | Long COVID symptoms including brain fog, loss of taste and smell |
| Treatment Tried | LENS Therapy (Low Energy Neurofeedback System) |
LENS therapy was what changed her course. She initially kept quiet about the treatment, even from close friends, because it seemed too enigmatic. However, the outcomes were strikingly successful. In a matter of weeks, the fog that clouded her judgment started to clear and she started sleeping better than she had in ten years. She expressed her appreciation for the feeling that her brain “feels like it did in my 30s,” a statement that perfectly captured the significant improvement in her quality of life. Almost like reclaiming lost time, such restoration was especially helpful to an artist in her 60s.
Her career benefited greatly from that newfound clarity. She made a comeback as a vocalist, songwriter, and co-producer with her latest album, The Mirror. She took full responsibility for her creative process for the first time. This change was particularly inventive, demonstrating that recovery can inspire reinvention as opposed to just bringing the past back to life. Fans soon noticed that her production choices were bolder and her lyrics felt more intimate, as though her artistry had been bolded by her renewed energy. It was a change that was remarkably reminiscent of Dolly Parton’s ongoing development into a cultural icon or Tina Turner’s late-career comeback.
Even though Yearwood’s own tenacity influenced the narrative, Garth Brooks’s influence is indisputable. In interviews, she frequently highlighted his role as partner and caregiver, referring to him as “wonderful.” Their relationship has frequently been seen as incredibly strong, especially in a field where celebrity marriages are usually short-lived. Brooks had previously shied away from the limelight to put his family first, and his dedication during her illness showed the same unwavering devotion. Their union has long been admired by fans, and her health issue only made them even more so.
This story’s broader theme is how illness affects people in ways that go well beyond music. Long COVID continues to affect millions of people, including healthcare professionals and office workers, but the illness is frequently misunderstood. Yearwood has contributed to raising awareness of a public health emergency that policymakers are still unable to adequately define by openly sharing her story. Her voice lends legitimacy to a discussion that is influencing public empathy, medical innovation, and research funding. Yearwood’s story sheds light on the human cost of an invisible illness, much like Broadway star Danny Burstein or Alyssa Milano did when they spoke out about lingering symptoms.
Her use of LENS therapy is also indicative of a larger trend in which celebrities are experimenting with non-traditional therapies. Some critics write these methods off as strange, but others see them as effective solutions to issues that mainstream medicine hasn’t yet addressed. Chris Martin’s acupuncture, Novak Djokovic’s diet plans, and Gwyneth Paltrow’s wellness empire serve as examples of how celebrities frequently take the lead in implementing alternative therapies. Despite its specialized reputation, Yearwood has made a complicated treatment seem approachable and even surprisingly affordable by promoting neurofeedback.
The most important question for fans is whether Trisha Yearwood is ill now. The answer, in her own words, is no. She claims that she feels more creatively alive, healthier, and stronger than she has in years. Her story does, however, highlight the fact that recovery is rarely a straight line. She admits that there may be residual symptoms even with noticeably better health. This candor normalizes managing chronic conditions and speaks to countless others who experience erratic energy and cognitive function.